Bye now… (With thanks to Giuseppe Verdi, Antoni Gaudi, Salman Rushdie and the Guardian’s MbM reader Niall Caldwell)
Wednesday, September 30th, 2009

(The new opera version of ‘Beauty and the Beast’…?)
Okay. No news today. Just something silly I wrote, yesterday evening. I’d been following the online Guardian’s minute-by-minute report of the football match Fiorentina-Liverpool and they had this mildly entertaining riff about things that irritate the Hell out of you.
At one point, one of the readers e-mailed…
“I can’t get past actors ending phonecalls without so much as a sign-off,” says Niall Caldwell. “It’s far too crisp and clinical – normal people invariably have an awkward bumbling verbal dance of ‘bye-byes’.”
… and I thought: That could make for an amusing TV sketch: An action movie setting with, as that reader had it, ‘an awkward bumbling verbal dance’…
… and that’s how this silly piece got written. So, my thanks to MbM reader Niall Caldwell – and here goes:
Bye now
(Picture yourself a small but expensive apartment in Barcelona. If the living room curtains had been open, you could have seen the top of Gaudi’s Casa Mila but they aren’t. The owner of the apartment has just woken up. Right now, he’s peeing into the wash basin. In about one minute’s time, he’ll be flossing his teeth – and then his i-Phone, which lies hidden under a cushion of the living room couch, will go, “La donna è mobile… La donna è mobile…La donna è mobile… La donna è mobile…”)
“Fuck.”
“La donna è mobile… La donna è mobile…La donna è mobile… La donna è mobile…”
“Fuck, fuck, fuck…!”
“La donna è mobile… La donna è mobile…La donna è mobile…”
“Ah – there you are…!”
“La donna è mo…”
“Hello?”
“Jack, is that you?”
“Yes. Who’s this?”
“It’s Iris. Please, Jack…”
“Iris! I haven’t seen you in ages. Not since…”
“Jack!”
“Yes? Don’t tell me…”
“Jack!”
“I remember! It was that dinner at Pablo’s. When I first saw your mother’s new boyfriend, if I remember well. That was…”
“JACK!!!”
“Yes?”
“Shut up…”
“Jeez; what’s wrong with you…?”
“… and listen!”
“Okay?”
“There’s a bomb in your apartment.”
“There’s what?”
“A bomb.”
“Here? In my apartment?”
“Yes. You’ve got to…”
“You’re kidding me, right?”
“No, I’m not ki…”
“This is like ‘Candid camera’ or something, yeah?”
“NO!”
“I am so not falling for that. I am not going to…”
“Jack…!”
“Yes?”
“You have to get out of there. Right! Now!”
“Sure, sure…”
“I’m serious.”
“Right.”
“Remember that piece you wrote about the Mohammed cartoons?”
“Yes?”
“You know how Misha said he would translate it and send it to the Al Nilin?”
“That Egyptian newspaper? Yes, I remember. That was some party. Pity you couldn’t be there.”
“So, he did.”
“What? Oh, right, that. The Cairo rag and all.”
“Yes, that.”
“Cool.”
“Not cool. Remember Rushdie?”
“So you say…?
“Yes.”
“So…?
YES!”
“…”
“So, get the fuck out – NOW!”
“But…”
“Jack?”
“Yes.”
“NOW!!!”
“Okay…”
“Right.”
“Bye then. And thanks.”
“Don’t mention it. Goodbye.”
“Bye.”
“Jack. Get the fuck out already!”
“Yes. Bye.”
“Bye.”
“You hang up first…”
“What…?!”
“You hang up first.”
“Are you fucking insane…?! Alright, alright… I will hang u…”
(Insert one mighty BOOM here.)
“Jack? Jack? JACK…?!”
(Imagine the sound of far-off sirens, almost as intrusive and elusive as the ring tone of a mobile, hidden under the cushion of a now extinct couch. Then, at last, silence again – and a whispered, “Fucking moron…!”)















